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CAL
Put that in the wardrobe.

IN THE BEDROOM Rose enters with the large Degas of the dancers. She sets it on the dresser, near the canopy bed. Trudy is already in there, hanging up some of Rose's clothes.

TRUDY
It smells so brand new. Like they built it all just for us. I mean... just to think that tonight, when I crawl between the sheets, I'll be the first--

Cal appears in the doorway of the bedroom.

CAL
(looking at Rose)
And when I crawl between the sheets tonight, I'll still be the first.

TRUDY
(blushing at the innuendo)
S'cuse me, Miss.

She edges around Cal and makes a quick exit. Cal comes up behind Rose and puts his hands on her shoulders. An act of possession, not intimacy.

CAL
The first and only. Forever.

Rose's expression shows how bleak a prospect this is for her, now.

CUT TO:

48 EXT. CHERBOURG HARBOR, FRANCE - LATE DUSK

Titanic stands silhouetted against a purple post-sunset sky. She is lit up like a floating palace, and her thousand portholes reflect in the calm harbor waters. The 150 foot tender Nomadic lies-to alongside, looking like a rowboat. The lights of a Cherbourg harbor complete the postcard image.



What else happened during the cut portion: When Zane and Winslet improvised this scene, they ended it with Rose giving a perfunctory peck on the cheek to Cal, who then comments that he too likes the Degas painting.